PDF Ebook The Book of Lamentations (Classic, 20th-Century, Penguin), by Rosario Castellanos
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The Book of Lamentations (Classic, 20th-Century, Penguin), by Rosario Castellanos
PDF Ebook The Book of Lamentations (Classic, 20th-Century, Penguin), by Rosario Castellanos
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Language Notes
Text: English (translation) Original Language: Spanish
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About the Author
Rosario Castellanos (1925-74) was born Mexico City and spent much of her childhood in Comitán, in Mayan southern Mexico. After traveling to Europe and to the United States for advanced study in aesthetics, she returned to the province of Chiapas to work with Indian theater groups and the Indigenous Institute of San Cristóbal. Much of her work, even throughout her involvement with the literary group "The Generation of the '50s," tried to traverse the distance between the pre-Columbian and the European cultural traditions of Mexico. While serving as Mexican ambassador to Israel, Castellanos died in a freak household accident in Tel Aviv. In an irony she might have enjoyed, she was buried in the rotunda of Illustrious Men, in Mexico City.
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Product details
Series: Classic, 20th-Century, Penguin
Paperback: 400 pages
Publisher: Penguin Classics; Open market ed edition (August 1, 1998)
Language: English
ISBN-10: 014118003X
ISBN-13: 978-0141180038
Product Dimensions:
5.1 x 0.9 x 7.7 inches
Shipping Weight: 7.2 ounces (View shipping rates and policies)
Average Customer Review:
4.1 out of 5 stars
5 customer reviews
Amazon Best Sellers Rank:
#841,258 in Books (See Top 100 in Books)
This book is so much more impressive than I expected, even though it is described as one of the classics of Latin American literature. The writing is superb, and the author's insight into indigenous and Ladino cultures in Chiapas is funny, surprising and shocking all at once. The translation seems excellent so the reading is fluid. I am reading this book interspersed with the Jungle Novels of B. Traven, a good combination and much in line with historical study I did last spring in Jovel (San Cristobal.) The preface in this book, by Alma Guillermoprieto, is beautifully written and filled with good stories and details. This is undoubtedly one of the best books I've come across in a few years.I had no problems with the shipping. The book arrived on time and in the promised condition.
This is one of the masterpieces of Latin American fiction. The plot tells of the uprising of the Maya Indians in the Southern MExican state of Chiapas. The book adopts a panoramic sqweep of a Diego Rivera mural weaving together dozen of characters, plot lines, and perspectives in a tour-de-force of narrative structure that builds to an inexorable conclusion as unflinching as it is devastating. Based on episodes from the actual Maya uprising of 1712 and 1868 - transposed in time to the 1930s - the novel merges a wealth of historical informantion and local detail into a vision of the nature of oppression that is universal in scope. As the New York Times Book Review noted of Rosario Castellanos (who was killed in car accident while serving as Mexican ambassador in Israel in 1974: "As a Mexican woman raised to submission, Castellanos understood the psychology of the reluctant or self-defeating rebel, or the victor who sides with her tormentor. There's nothing forces in the parallel she draws between oppressed woman and oppressed races. It's all part of an ugly social nexus she unravels in fluent, decorous prose. Castellanos wrings poetry from a local rumor, in scenes that achieve the mystical, tormented quality of Spanish paintings of the crucifixion." Here we have a book of genius: calling her the Mexican Garcia-Marquez is not a stretch in the least.
This is one of those hidden gems that I was forced to read for a school class. The characters are touching, if a little distant because of the way it is written. The horror at the end of the book builds slowly, and its insights into the clash between the indiginous people of Mexico and the conquering Spanish class was illuminating to me. Throughout the book I had the idea that the translation was kind of poor, I'm not sure what prompted that thought, but I wish my Spanish was good enough so that I could read the original.
Often I read reviews unsure if the reviewer actually read the novel in question. First and foremost, I read-- no, trudged through-- Rosario Castellanos' Book of Lamentations. I am by no means an avid reader, and read only out of necessity rather than for pleasure. I typically don't review novels, and am not extremely adept at conveying my thoughts in a fluid, sophisticated way in a short amount of time. With that being said, I was assigned The Book of Lamentations as a twelfth grade AP Literature summer reading assignment and my opinions on the novel are all my own.Simply put, Rosario Castellanos' Book of Lamentations is a well-written book, but the quality of novel slowly declines from cover to cover. I can see how avid readers and people with a penchant for the English language would appreciate the abundance of description in the book, but all of the minute details were a nuisance to me. The novel opens with a description of one of the many main characters, Catalina, a dabbler in the dark arts. The first chapter recounts Catalina's vain journey to become pregnant. By chapter two, Lamentations quickly escalates to the rape of a fourteen year old Tzotzil girl, Marcela. At first I was taken aback by the images of rape and sacrilege in the novel. It admittedly took a second or two to get used to. Heretofore, I had never read neither a sexually nor religiously explicit novel. Some passages throughout the novel were bearable and I could reread them without any issue, but others I had to quickly get through and move on to the next section because of their graphicness.Castellanos continues the novel by telling the story of Catalina's husband Pedro, a local "aristocrat" Leonardo Cifuentes, and a government agent Fernando Ulloa. The Book of Lamentations branches out in many different directions but the novel's fatal flaw is that it takes forever to intertwine each character's story and to get to the point. It wasn't until the last six or seven chapters that Castellanos got to the war. It was the part I was looking the most forward to, and also the part most quickly touched upon. The final chapters make no sense. I understood the subtle allusions to events scattered throughout the novel, such as Leonardo Cifuentes' Military Directive, but, other than that, I was completely lost as to what purpose they served. If I have the wherewithal to go back and reread the last 15 pages, I will do so and see if I can understand how they tie into the purpose of the novel.Another fatal flaw within the book would be the use of Tzotzil and Spanish. While the use of both languages is an interesting addition to the novel, every few chapters I had to flip to the back of the book to reread and discern what each word meant and discern who was who. The book could have honestly done without all of the Tzotzil and Spanish. I felt as though the words were just dropped anywhere and shoved the fact that the novel was about a quarrel between Indians and Spanish-speaking colonists. After a certain point I was annoyed and started mentally crossing out all of the foreign jargon. Here and there would've been okay, and would have made the book more fluid and lucid.I probably won't read Castellanos' piece again. And I wouldn't necessarily recommend it to anyone. The two flaws aforementioned were what I found made the book not so great. A lot of the description and use of foreign language within the novel could have been toned down. The Book of Lamentations is definitely not for the faint of heart. Religion, rape, civility, so on and so forth are all present within the novel.Bottom line: if you are unnerved by rape, fire, occult, sacrifice, sacrilege, blasphemy and anything else you could possibly think of, read The Book of Lamentations. Otherwise, skip it, it will save you a lot of eyebrow furrowing and "what the hell" moments. If you like fictional historical pieces and are open minded to other interpretations of faith, politics, etc. go for it.
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