Ebook , by Azareen Van der Vliet Oloomi
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, by Azareen Van der Vliet Oloomi
Ebook , by Azareen Van der Vliet Oloomi
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Product details
File Size: 9014 KB
Print Length: 307 pages
Publisher: Houghton Mifflin Harcourt; Reprint edition (February 6, 2018)
Publication Date: February 6, 2018
Language: English
ASIN: B01N7HZ5Q1
Text-to-Speech:
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Amazon Best Sellers Rank:
#368,566 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
I was drawn to this book, I admit, because it was so highly anticipated among the most informed voices of literature. I have grown wary of expert opinions of any kind, to be honest, so I began the book, I suppose, with some skepticism that it would meet the ‘most anticipated’ status it had achieved.And I was wrong and the experts were right. This is a remarkable book. The prose is witty and the scenes and characters are developed to balanced perfection. More than anything else, however, it’s hilarious.When our protagonist, Zebra, is picked up at the Barcelona airport by a friend of a friend she hasn’t met, he is holding a sign that says: “Here to reclaim Jose Emilio Morale’s friend.†Instead of offering a friendly ‘hi, how are you, thanks for picking me up,’ our obsessed and behaviorally neurotic Zebra immediately demands to know if he had ever possessed her before, as the precise wording of the sign literally implies. He is Ludo Bembo, the self-exiled Italian philologist, who ultimately relents to her insistent demand by noting, “It is only a sign.†The explanation, not surprisingly, fell on deaf ears because nothing is only anything to Zebra at that time.It admittedly reminded me of a retired English teacher I knew that was moved off her foundation whenever anyone used the phrase “very unique.†If humor is the release of discomfort, this kind of obsessive policing of language is the literary equivalent of slipping on a banana peel.I bring that up, in part, because this is a book that could easily intimidate the reader if you let it. I don’t think, however, you need to let it, and I am convinced that the author would be greatly disappointed if you did. The author is obviously smart and capable, but the book shows no pretense of aspiration to be a literati. She wants to make you think, not back down.The protagonist is an exile/immigrant/refugee, of course, and both the complexity of the book and the rich humor comes from her coming of age, intellectually and emotionally, in an unfamiliar and inhospitable world, having lost all of her family and personal identity to time and political tragedy.True to her ancestral roots, she turns to literature, and the work of exiled poets and writers, in particular, as both a vehicle of escape and a source of pre-packaged judgment. And since much of her personal journey is navigated through the lens and the physical geography of literature and the geo-political history of civil war and exile in Europe and the Middle East, the narrative is filled with a bounty of references on both fronts.Do not, however, be afraid of the literary references. You don’t need any expertise in Nietzsche or Dante to enjoy the narrative any more than you need an expertise in cars to enjoy a pleasant ride in the countryside.The coming of age I refer to, which would be more appropriately called the coming of self, is a process of awareness followed by accumulation. At the peak of the process we are likely to be filled to overflowing with angst, disillusionment, and, perhaps, self-pity, if not self-loathing. Ultimately, however, we find a way to sort it all out and not to discharge our burden, but to clean things up enough to make room for the burdens of others.That sorting, prioritizing, and contextualizing of her personal and ancestral burden is the heart of the storyline. It is a journey of self-discovery and the reconciliation of identity that we all must take. While told in the rich context of literature and art, it is, therefore, the most common story of all. It is, however, the rich and unique context that allows this story to stand out; to be both zany and personal at the same time.The key, I think, is to let the story come to you and not to spend too much time trying to digest and consider each and every literary reference. I was reminded of those little rubber balls that seem to accelerate each time they bounce. They’re much easier to catch if you wait until the end of each bounce to reach for them.Which is why, I suggest, if you are considering this book you just dive in and give it a go. If this book is not a national bestseller it will be because of intimidation, not the quality of the story or the prose. You won’t find much better.The best news is that, in my own experience (I am now a sexagenarian), the first peak of self-awareness typically proves to be a foothill. Life is a range, not a mountain. So perhaps we shall have the benefit of scaling yet another peak of self-discovery with Zebra and her literary burden in the future. I truly look forward to it.
First rate writing, but a hard story to like. The protagonist is so confrontational and conflicting that it is hard to sympathise with her. She can't give her love nor let go of her dead father. All the literary references, though impressive, are difficult to swallow. Every interaction invokes quotations from Camus or Sartre or Neruda... C'mon, no one has that kind of repertoire. You can't help but want her to find relief but there is never any joy at finding it. Even her last grasp at peace and lasting love is doomed to fail. But in spite of the frustration I couldn't let it go. This is a very good book, but it holds few satisfactions.
This was recommended to me,citing wish I remember by who so I could kick them. Zebra is a narcissist, sullen character. The author uses verbose language to get simple points across. I guess this was just not for me.
One of the worst books I have ever read!
Picture a funny yet serious, nerdy yet cool, meaningful and profound yet irreverent and eccentric novel (no, it’s not Don Quixote). You can’t? Well, you definitively need to read this. What a fantastic book! The protagonist, Zebra, will simultaneously intrigue you, entertain you, get on your nerves, annoy you, make you burst out laughing aloud. And in the process she will also teach you a lot about what literature is all about. But above all, she’ll give you some very good insights into the incoherent, confused, frenetic world we live in, and how to go about navigating its uncharted waters. Zebra is the kind of friend you always wished you had. The one who inspires you, who you get into troubles with, who teaches you not to take absolutely anything for granted. Upon finishing the book, you’ll find yourself wondering why Zebra’s number is not in your contact list!
It was hard to unpack. On the same page one went form nihilism to the plurality of the self. The main character, I even forgot her name, was on the verge of a mental breakdown throughout the book so this makes sense but the reader never grows to care for her. We read heavy stuff in our book club from the cement garden to The Road and only 3 out of five finished the book. This rarely, almost never happens. On a literary level it has value but hard to get through even for people who read a lot.
This was clearly written to impress literary critics and MFA professors. Convoluted and depressing. Not a book I would recommend for a book club.
Call Me Zebra by Azareen Van der Vliet Oloomi is a beautiful, heartbreaking story of exile, loss, love, and ultimately self. Zebra comes from a long line of scholars whose lives are literally literature. They are born and raised with literature, eat and sleep literature, and speak in literature. Zebra and her parents set off on a tragic journey fleeing the government in Tehran, and her father and her end up in NYC a while later. After her father passes Zebra sets off on a trip to retrace their footsteps back home, her first stop being Barcelona where she meets a man names Ludo and embarks on a twisty turny love affair. (I realize that this is a very simplified summary, Zebra’s story is so much deeper than that).The novel is so beautiful, and so, so, SO smart. Zebra makes you laugh and cry, infuriates you, drives you bonkers, and makes you want to hug her tight and never let go. I personally related to many of the emotions and deep feelings that Zebra evokes, having been an immigrant in different countries for most of my life. And also because of her love of bringing literature into literally every thought. I loved how the story was written, in a stream of consciousness style. Instead of providing the reader with a set background of imagery, we get to imagine our own through Zebra’s often cluttered mind. It sometimes works as a puzzle or a maze, and you get frustrated, and then laugh because you know your own mind works in a similar fashion.I now need to go and read Azareen Van der Vliet Oloomi’s first book because I absolutely loved this one!
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